_THEME_LANGUAGE _THEME_LANGUAGE
etching, aquatint, dry point and "2RC essence technique" <br />on copper plates 21x20 cm.<br />Magnani paper 60x50 cm.<br />printed in 5 colors<br />Edition of 34 and V artist proofs<br />printed by Vigna Antoniniana – Rome<br />published by 2RC Edizioni d'Arte – Rome
etching and aquatint on copper plate 34x45 cm.<br />printed in 7 colors<br />Fabriano Rosaspina paper 50x70 cm.<br />edition of 85 and XII artist proofs<br />printed by Stamperia 2RC - Rome<br />published by Stamperia 2RC - Rome<br />740110.00
embossing on copper plate 198x95 cm.<br />printed in white<br />Fabriano Rosaspina paper 198x95 cm.<br />edition of 30 and XVII artist proofs<br />printed by Vigna Antoniniana - Rome<br />published by 2RC Edizioni d'Arte - Rome<br />960733.00
etching and embossing on zinc plate 48x64 cm.<br />printed in white<br />Fabriano Rosaspina paper 48x64 cm.<br />edition of 50 and XI artist proofs<br />printed by Stamperia 2RC - Rome<br />published by Stamperia 2RC and Marlborough - Rome<br />630276.00
First Level Degree In Techniques and Management in Editorial Printmaking Art
 (1174 reads)
The Editions No 1
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First Level Degree In Techniques and Management in Editorial Printmaking Art
 (1034 reads)

The student Nicola Salotti while working on a copper plate on which he has applied three techniques: etching, 2RC E technique and aquatint.

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